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Review By: Nort Johnson |
Southtowners By: B. Scott Hersey |
Editorial By: Tom Lounges |
Streetwise Article By: Terry Flamm |
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Sopro
Music’s 27th Annual T-Day Chicago All Star Blues Revue
Sopro Music’s On-Line Magazine Show Review by: Bud Monaco November, 2009
Sopro Music’s 27th
Annual T-Day Chicago All Star Blues Revue at Tommy’s Place in Blues
Island, IL was again another smash hit concert event. On a fairly
clear but blustery November Saturday night evening, Blues Fans from all
over the Chicago area once again turned out in a club capacity
environment to enjoy another great Blues Revue.
With the usual crowd anticipation, Sopro Music’s Blues Revue
Band took to the stage with Veteran Blues Guitarist and Vocalist ‘The
Tattooed Blues Cowboy’, Joey Drada leading the band into a vintage
version of ‘Born Under A Bad Sign’ as the big back beat rhythm section
featuring ‘Chicago’s Drum King’, Pat Doody, ‘EADG Bass Master’, Bassist
John Falstrom and the newest member of Sopro Music’s Blues Revue Band,
‘South Side Keyboard Man’, Greg Wolfman kicked out their big Blues beat.
Then ‘Chicago’s Prodigal Son’, the world travelled Guitarist,
‘GuitarZilla’ Joe Jammer and ‘Chicago’s New Harmonica Master’, Doug Lee
joined in with the Sons Of Blues classic ‘Where’s My Money’.
Drada’s wailing guitar, teamed up with Jammer’s slamming guitar tones,
along with Drada’s echoing vocals, lit up the crowd right from the
start. Lee’s harmonica performance again showed why he has become
one of Chicago’s finest harmonica players.
Sopro Music Recording Artists Bill McFarland and The Chicago Horns then
hit the stage and busted into an outstanding rendition of the classic
‘Peter Gunn Theme’, as ‘Chicago’s Trombone King’ Bill McFarland, ‘The
Saxophone Sensation of the Nation’ Hank Ford, ‘The Midwest’s Trumpet
Titan’ Kenny Anderson and ‘The South Side’s Favorite Saxophone Son’ Tony
Ferraro on Baritone proved why they continue to be the elite Horn
Section of Chicago and the Nation.
McFarland and The Chicago Horns then jammed into a moving Blues serenade
with their own designed and orchestrated ‘Fire Horns Blues Serenade’.
Slashing horn solo’s were in great abundance as Bill, Hank, Kenny and
Tony continued setting the tone for the rest of the evening’s show.
McFarland closed out the segment with a beautiful version of ‘Every
Day I Have The Blues’ as his gilded, silky smooth voice struck a musical
chord deep into the souls of everyone in the crowd.
Showtime continued as Sopro Record’s Recording Artist ‘GuitarZilla’ Joe
Jammer led the Blues Revue Band into his show segment. Leading off
his segment, in dynamic symmetry with the Blues Revue Band, Jammer
kicked out his version of ‘Willie The Wimp’ to the delight of the crowd
and segued into the great Blues classic of Junior Wells’ ‘Today I
Started Loving You Again’ with Vocalist Deb Seitz joining Jammer on
stage with her lovely back ground vocals. The Chicago Horns were
also in tow, heaving out their blazing Horn’s tones perfectly in harmony
with Jammer’s shredding guitar. Jammer continued with the
legendary Blues kingpin Otis Rush’s ‘Ain’t Enough Coming In’ and closed
out his segment, with Doug Lee joining Jammer on stage with his dynamic
Harmonica, performing another Junior Wells’ classic, ‘Hoochie Coochie
Man’ as the crowd went wild.
The next segment of the show brought ‘Chicago’s Leading Lady Of The
Blues’ Deb Seitz, to the stage with her solo project band mates joining
her on stage featuring Frank Anastos on Guitar, Dan Wile on Drums and
Mike Bailey on Bass. Dressed to the nines with her white brocaded,
three quarter length coat, silk scarf and fire red dress topped off with
her red, spiked high heeled fashionable shoes, Deb kicked off her
segment with ‘Strut’, a seldom heard classic by the great Bluesman, Taj
Mahal. Deb’s broke into her second song, ‘Happy Lady’, which was a
brand new original Blues song written by her and her band with this
being the debut performance of this newly written track. It hit
home with the crowd as Deb’s angelic voice cut down deep to the bone
like a razor blade of blues deep into the hearts of all in attendance.
‘Part Time Lover’ keep the crowd in rapture and then she shifted gears
into one of her jump blues, trademark songs, ‘Blues Is My Business’,
that brought the crowd to it’s feet showing Deb their appreciation of
her graceful stage presence and vocal talent. Following this jump
blues tune, Deb then showed her heartwarming vocal versatility as she
cut down deep again belting out the classic ‘Hurt So Bad’. Deb
then rocked the crowd out with her closing song of her segment ‘Rock Me
Right’ as she definitely rocked the full house crowd right; right down
to their Blues bones.
Speaking of the ‘Crowd’; as always, Chicago and Chicago’s South Side
Blues Fans were out in full force as this annual Blues Revue show draws
Blues Fans from all over the Chicago area as well as throughout the
Mid-west which included many, many long time Sopro Music fans, friends
and family. A unique sight developed during the show, as usually,
there are many photographers, including SoproFoto photographer Gala
LaPorte dressed to the nines and looking every part as one of the
performers on stage and numerous other Blues Fans, taking photos of all
the wonderful performers; but this particular evening there had to be as
many professional photographers on hand as there were performers on
stage capturing the event on film and digitally with cameras and video
cameras. Professional photographers T.J. Johnson and Anthony
Caciopo, just to name two, were shooting away along with dozens of other
photographers and Blues Fans documenting this one of a kind Blues Revue
Concert Event. The camera flashes continued to light up the room
throughout the show reminiscent of a Led Zeppelin, Rolling Stones or
Buddy Guy concert performance. It was a sight to see leaving an
indelible memory in everyone’s mind to be remembered for years to come.
Unfortunately, this tremendous event has to have an ending at some time
during the evening, but the closing segment of the show is never a
disappointment. Taking to the stage in a flash and a flourish,
Harmonica man, Vocalist and Blues entertainer Doug Lee continued the
tradition of Sopro Music’s Blues Revues with his personalized song
‘Florida Sunshine Blues’ as he vocally talked as well as used his well
honed gravely vocal voice to tell this comical Blues story while wailing
away with his powerful sounding Harmonica performance. Lee then
waltzed into his ‘Walkin’ Blues’ with Tenor Saxophonist, Tony Ferraro
joining him on stage. Tony’s touching Sax sounds complimented
Lee’s Harmonica tones in true Blues fashion.
Speaking of fashion; Doug and Tony were both decked out wearing
their own styled, traditional, Blues fashioned cloths in the grand style
of past Blues masters. Lee sporting his trademark black, short
brimmed Fedora hat and wearing an Italian, hand made silk shirt and
Ferraro was also wearing an original European styled black, hand made
silk shirt. Together on stage they not only played the parts of
great Blues masters of the past as they presently are, but surely looked
the part as well dressed as well as could be.
Before Lee took the Blues Revue Band of Joey Drada, Joe Jammer, Pat
Doody, John Falstrom, Tony Ferraro and Greg Wolfman into his next tune,
Lee invited a very special guest in the house to the stage. To the
delight of the band, Sopro Music promoters and staff, as well as the
crowd, Blues Vocalist & Entertainer Vivian Vance Kelly, the talented
daughter of Chicago Blues Legend Guitarist and Vocalist, the
incomparable Vance Kelly, joined Doug and the band on stage as they
kicked into ‘My House Blues’ with Vivian vocally telling the story in
conversation and then kicking in with her big sounding vocal dynamics
rounding out the tune. The crowd loved her and she was a perfect
fit right out the gate with Lee and the Blues Revue Band. And if
this wasn’t enough of a grand finale, Deb Seitz returned to the stage to
join Vivian in a knock down, drag out version of ‘Let The Good Times
Roll’ taking the crowd to new heights and taking the show to another
stratospheric place in Blues music. Vivian and Deb’s cacophonous
harmonies and the melding of their two angelic voices were gratefully
absorbed into the hearts and minds of the well attended audience of
Blues aficionados. Deb and Vivian did a call and response vocal
attack with each other and then Doug joined in on the call and response
with his Harmonica as the three of these dramatic performers continued
in tandem to trade vocal and harp licks with each other while Drada,
Ferraro and Jammer kicked in with their own solo licks as Doody,
Falstrom and Wolfman kept the rhythm section tight and in perfect meter
at all times without a flaw in their performance. Wow !! I
mean Wow, it was really spectacular. Doug Lee then, finally, got
around to closing the show with his finishing song which he has been
doing for numerous years now with ‘Help Me’ and with his coercion for
cooperation from the crowd to ‘help him’, they did with revelry as they
were out of their seats and onto their feets to bring this wonderful
Blues Revue Concert Event to a dramatic ending.
As the capacity crowd filtered out of the Tommy’s Place Night Club into
the late night Blues Island street on South Western Avenue, now blustery
chilly but with clear skies on this special November evening; all in
attendance knew they had seen and heard something very special in the
annuals of American Blues performances and concert events and were all
looking forward to the next Sopro Music Blues Revue.
The flawless concert production, emceeing and stage management was
produced and directed by Sopro Music’s Executive Producers Bud Monaco &
Red Rose along with Sopro Music’s Associate Executive Producer Bob
Teutsch who also did the live recording to document the show along with
Sopro Security Chief Butch Marquardt handling the stage and backstage
security. The flawless PA and Lighting was operated by the tandem
of pro sound men, the father and son duo of Tony Gioiosa Sr. and Tony
Gioiosa Jr. throughout the evening. Club production at Tommy’s
Place was operated by club owner’s Cindy, Tommy and Patty Petta with Ray
Ray Petta covering the night club floor from the front door to backstage
with professional operations from start to finish.
See ya’ all next time around. Thank you
all for your continued support.
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*Bill McFarland & The Chicago Horns “LIVE FIRE” CD Record Release Show* plus: *Sopro Music’s Big Band/Swing Revue* Presented by Sopro Records at The Joynt in Chicago / September, 2009 Sopro Music’s ‘On Line Magazine’ Review by: Bud Monaco
Bill McFarland and The
Chicago Horns “LIVE FIRE” CD Record Release Show was surely a highlight of
the big Chicago Jazz Festival weekend in Chicago during September of 2009.
Presented by Sopro Records in the Grand Bar of Chicago’s finest night club,
The Joynt on Dearborn, this performance by Bill McFarland and The Chicago
Horns proved once again that The Chicago Horns are the premier Jazz Project
in Chicago. Kicking off the show with material from their new “LIVE
FIRE” CD, The Chicago Horns started the set with the beautifully
orchestrated version of Freddie Hubbard’s “Little Sunflower”. Band leader,
Trombonist Bill McFarland, and Saxophonist Hank Ford led the band into a
fine start of the show with their touching horn notes as Keyboardist Kirk
Brown, Bassist Jack Zara and drummer Shirazette Tinnin delivered an also
touching, medley and rhythm section which matched up perfectly with Bill and
Hank’s horn performances. Bill’s Trombone solo and Kirk Brown’s Piano solo
early in the song set the bench mark for the rest of the show which would be
a wonderful evening of Chicago Jazz at its finest. Bassist Jack Zara
followed Kirk’s Piano solo with his personalized Bass solo that quickly
caught the attention of all in attendance. Then Drummer Shirazette Tinnin
took the spotlight during her pristine Drum solo that followed with Jazz
perfection. Bill then led the band into their island jumpin’
version of Sonny Rollins “Saint Thomas”. Bill and Hank traded off horn
segments early in the song as the band accompanied them vibrantly and then
had the crowd in the palm of their hands as these Jazz music lovers hung on
every note performed. Kirk Brown then showed his Piano versatility with a
finely crafted Piano solo to the delight of everyone. Then it was time for some Jazz love as Hank Ford took
the lead solo and eased the band into The Chicago Horns ‘Medley’ of Duke
Ellington’s “In A Sentimental Mood”, Gene DePaul’s “You Don’t Know What Love
Is” and Thelonius Monk’s “Round Midnight” with Kirk Brown’s Piano solo
following, in dramatic fashion. Following this great “Medley” performance, Bill took The Chicago Horns and
their fans in attendance back in time with a song from their previously
released debut CD “Fire Horns” with Webster Lewis’ “Mild Wind”. With Bill
and Hank showing their dynamic Horn presentations that they are nationally
know for, their version took this beautifully orchestrated song to another
level of greatness. Again, trading off Horn solo’s, Bill and Hank, along
with the continual outstanding performances of the band, set up the finale
of the show, showing their versatility, and professionalism of traditional
world renowned Jazz perfection. There surely was more than a mild wind
blowing through this night club in the Windy City during their performance. Closing this outstanding Jazz performance on a
beautiful September evening in Chicago, Bill led the band into his own
original Jazz creation featuring The Chicago Horns trademark song “Harold
The Great”. Once again, as it has been flawlessly performed many times in
the past, “Harold The Great” now held The Chicago Horns fans attending the
show in shock and awe with their dynamic performance and the devastating
brass attack of Bill McFarland and The Chicago Horns. All in all, Bill McFarland and The Chicago Horns CD
Record Release on Sopro Records of “LIVE FIRE” now joins their previous CD
Releases “Fire Horns”, “Alive and Live” and their DVD Release “Totally Live”
into the Jazz world of Chicago and across America as some of the finest Jazz
Music in the Nation. Bill McFarland and The Chicago Horns have proven once
again that they are one of the premier Jazz Projects in America, featuring
their timeless traditional Jazz arrangements and their provocative new
millennium Jazz style of dynamic performance.
********************************* Following The Chicago Horns CD Record Release
performance, the second portion of the show featured Sopro Music’s new,
experimental debut Big Band/Swing Revue took to the stage at The Joynt with
great expectations. These expectations were not unfounded as the new project
was an exceptional endeavor to say the least. With The Chicago Horns Band supplying the Big Band,
Swingin’ backbeat, Sopro Music Promoters Bud Monaco and Red Rose brought to
the stage and introduced Vocalist ‘Diva’ Deb Seitz to the crowd which was
looking forward to her performance with highly regarded anticipation. Deb
Seitz did not disappoint them as she kicked off the Big Band/Swing Revue
with her own styled version, reminiscent of Lena Horn’s performance of Frank
Sinatra’s “Lady Is A Tramp”. Deb’s beautiful voice, which can cut down deep
into your soul like a razor blade of song, brought big smiles to everyone in
the house. Deb’s next song, a Ruth Brown styled version of the
timeless hit “Summertime”, showed Deb’s vocal versatility as the magic of
her sultry vocals was mesmerizing and just downright beautiful. Saxophonist,
Tony Ferraro performed a dazzling, propulsive Sax solo that capped off Deb’s
performance and a beautiful song arrangement by the band. Next up on stage was Vocalist Todd MacGillivray and
Todd kicked it right off with his version of Bobby Darren’s timeless hit
“Mack The Knife”. Todd’s thundering vocals had the audience’s undivided
attention as he told the story of ‘ol Mackie being back in town to the
delight of everyone in attendance. The Big Band/Swing Revue was then taken to another level of showmanship, or
should it be said, ‘show-women-ship’, as Deb Seitz returned to the stage with Sopro Records
recording artists, Vocalists France Marie and Victoria Talerico, all
beautifully and fashionably dressed to kill as if they were taking the stage
at world renowned Chicago Theater or New York’s Carnegie Hall. The show now
shifted into the next high gear as these three ladies ripped into an
outstanding and jaunty version of The Andrews Sisters hit song of the ‘40’s,
“Boogie Woogie Bugle Boy of Company B”. The ladies dedicated this song to
all the American Veterans of WW II as well as all American Veterans of all Wars and especially to the
present day American Armed Forces Men and Women fighting the present day
Wars ‘overseas out there in the sand and mountains’ in the mid-East. Donning
original military soft hats reminiscent of past Andrews Sisters
performances, Deb, France and Victoria lit up the crowd as they harmonized
together in grand fashion. Each one of them performed solo verses as well
and their angelic voices held the crowd’s rapture and cascaded out into the
streets of Chicago through the front doors of the club in perfect harmony. Deb, France and Victoria then continued to kick out
their magic, as their voices blended together perfectly, leading the band
into Louie Prima’s great hit, “Jump, Jive and Wail”. These three fine ladies
kept the song moving gracefully along, Bill McFarland, Hank Ford and Kirk
Brown added their exceptional music prowess with some dynamic horn and piano
solos as the rhythm section of Jack Zara and Shirazette Tinnin steadily held
the Big Band back beat. The three songbirds then performed the aptly chosen
Frank Sinatra song “Chicago: My Kind Of Town” which was the perfect choice
for performing at The Joynt on Dearborn in the entertainment heart of
downtown Chicago. Magically and vocally in sync, the trio performed
gracefully yet powerfully harmonically rich, and had the crowd reminiscing
of the glory years of Big Band/Swing music from a timeless past. Deb then closed out the show with a wonderful version
of Ella Fitzgerald’s hit song “Cheek To Cheek” as she sang her heart out
with a vocal rapture that had many couples in the crowd getting up from
their seats and dancing together cheek to cheek across the floor of the
Grand Bar in The Joynt nightclub. A great evening of Jazz, Big Band/Swing Music and Song
was totally engrossing and enjoyed by all in attendance as we look forward
to the next time all these performers take to the stage sometime soon
further on down the road. The show was produced and directed by Sopro Music’s,
Sopro Record’s Producers Bud Monaco and Red Rose along with Sopro Music’s Executive Producer Bob Teutsch handling
the sound and recording. The show was documented visually by SoproFoto
photographer Gala LaPorte and videographer Randy Reding. The Joynt nightclub
in-house production and hospitality was handsomely produced by owners Stanly
Wozniak, Johnny Marano, Cory Duffy and Andy Gofis.
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Bill
McFarland & The Chicago Horns / "Fire Horns Totally Live" DVD Washington State Blues Society BluesLetter Review by: Eric
Steiner–2009
I
know the the Washington Blues Society BluesLetter is primarily a
blues resource, but I wanted to stretch my musical boundaries and
add a touch of jazz to these pages.
If you saw my CD collection, you’d see that I have maybe five
or six jazz CD’s, tops.
Sopro
Records Recording Artists Bill McFarland and The Chicago Horns has
changed all that. My
knowledge of jazz is admittedly limited, but I highly recommend the
newest DVD from Bill McFarland and The Chicago Horns, “Fire Horns
Totally Live”!
I had the privilege of
seeing The Chicago Horns at a Sopro Music Easter Parade Blues Revue
a few years ago as they were part of the Sopro Blues Revue Band that
played over three hours of music at Tommy’s Place Night Club in
Blues Island, IL on the far South Side of Chicago.
“Fire Horns Totally Live”! Features two performances recorded
at the Jazz Kitchen in Indianapolis, IN followed by six songs
captured by BETonJazz at the 2001 New York Jazz Festival in New
York’s Downtown City Hall Park.
The core of The Chicago Horns is Bill McFarland on ‘bone’,
Hank Ford on sax, and Kenny Anderson on trumpet – a horn section
that’s been together for over 21 years.
If you like traditional, old-school, horn-fueled jazz, you’ll
like “Fire Horns Totally Live”!
‘Hip Hop Swing’ owes more to Ornette Coleman than to Cool-Herc or
Fab Five Freddy, and Kirk Brown’s lively piano takes me back to Rue
Bourbon in the Crescent City on ‘Mar-Di-Gras’ and ‘Mar-Di-Gras
Reprise’. When I first saw
Kirk’s playing on this DVD, I thought that Ellis Marsalis, a New
Orleans jazz elder, would be pleased.
There’s over 60 minutes of live jazz on “Fire Horns Totally
Live”!, including brief commentaries from Bill McFarland and some
great exterior skyline shots of New York City that will take your
breath away. I wished that
the DVD would have taken advantage of the bits and bytes available
in the DVD format: extras like additional interviews, out-takes, a
video clip from a Sopro Music Easter or Thanksgiving Blues Revue, or
just a fly-on-the-wall perspective of the guys warming up before the
show in Indy or Manhattan.
“Fire Horns Totally
Live”! Celebrates a first-class jazz band at the top of it’s game in
two natural jazz venues: an intimate nightclub and an outdoor jazz
festival. The concert in New
York was recorded in August of 2001 and the DVD is dedicated to the
brave men and women who helped at Ground Zero on 9/11.
Discover The Chicago Horns on “Fire Horns Totally Live”!, and
other artists nurtured by Sopro Music/Sopro Records’ Bud Monaco and
Red Rose on line at their website at SoproMusic.com.
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Sopro Music ‘On Line Magazine’ Show Review Perry Danos & Backstreet ’Live’ @ Trio’s Night Club / December 26th, 2008
Perry Danos & Backstreet: The lone overdue and
highly anticipated reunion show was absolutely a smash hit concert event.
The previous, long enduring history of this great Chicago band never rested
for a moment on it’s past laurels during it’s, new 2008, breakout
performance at Trio’s Night Club in Palos Hills, IL. The packed house
heralded every note throughout every song during this wonderful performance.
The big back
beat of one of America’s finest rhythm sections set the tone for a wonderful
night of nostalgic moments. Featuring Mike Brown on Drums and Mike McCune
on Bass, this rhythm section proved that it could still kick out the great
bottom end that it was known for throughout the years past. The
dynamic duo of driving Guitars featuring Frankie Capek and Jimmy Hood ripped
and shredded their six string shotguns and had the packed in crowd looking
on in astonishment and with shock and awe.
With Keyboardist Myron Pieczonka laying down the key root notes and his
superb keyboard arrangements right from the start, every warm body in the
joint knew they were locked in for one hell of a show. Then,
the driving force and charismatic band leader, Vocalist supreme and
Guitarist, Perry Danos showed the audience just what real star power was all
about. With his demanding stage presence and dynamic vocals, Perry
guided this tremendous collection of band performers through a rollicking
and nostalgic compilation of rock and roll’s greatest hits. Throughout the
evening Perry wowed the crowd with every vocal mood in his never ending
repertoire of vocal ranges with a multitude of songs from his collection of
timeless hits. The
days of the traditional styled rock clubs is gone here in the new millennium
and has been replaced with upper crust restaurants building stages for
entertainment to hold late night revelers in their establishments. Perry
Danos and Backstreet countered this misaligned, bastardized version of a
night club of a previous time and whisked, the mainly, old time rockers in
attendance back to a previous place in rock and roll time. Great
performers of a previous time of our music of life are still, always, great
performers as they, and all of us grow in age and mentality as time goes
by. Here’s to
Perry Danos and Backstreet and here’s to all of us; Dammed few left.
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Sopro Music’s / Sopro Records 25th Annual Thanksgiving Silver Anniversary Chicago All Star
Blues Revue November 24, 2007 @ Tommy’s Place Night Club / Blues Island, IL By: Bud Monaco for Sopro Music’s On Line Magazine
Bam !! Bam !!
Blues Bam !! And away we were into Another Sopro Music Concert Event
Presentation. This time around Sopro Music was celebrating it’s 25th
Annual Thanksgiving Silver Anniversary Blues Revue as the show kicked off
performing to a standing room crowd at Tommy’s Place on a beautiful November
evening. On this special landmark show, Sopro Records / Sopro Music also
Honored the world class, Sopro Records Recording Artist, Chicago’s Trumpet
Titan, Kenny Anderson
of The Chicago Horns
for performing and recording with Sopro for 25 years. The show was
also dedicated to the late, great Blues guitarist,
Riverside Rob Draganski.
Let’s get right to it.
Sopro’s Blues Revue Band
started out in high gear with the finest rhythm section in America’s Blues
Nation with Patrick Doody and John Falstrom
roaring into action with their big Blues back beat on Drums and Bass.
Johnny Cosgrove and Joey Drada
led the onslaught with their impeccable, veteran Blues performer guitar
tones with The Chicago Horns
joining into the fray. The Honoree of the
evening, Trumpeteer Kenny Anderson
led The Horns onto the stage as Trombone King Bill McFarland, Saxophonist
Hank Ford and Baritone
Saxophonist Tony Ferraro
blasted into one of their trademark opening numbers, ‘Blues Island Lakefront
Strut’ and then segueing into ‘Stormy Monday’ with
Kenny Anderson’s
attractive, yet seldom used, vocals highlighting this great American
classic.
For the next segment of the show, which was highly
anticipated by the audience, the performers and the Sopro production crew,
‘The World’s Youngest Blues Guitarist’, Eight year old,
Tallan ‘The T-Man’ Latz
took to the stage. This young man absolutely blew everyone away into
the next realm of Blues Music as he showed that he was not just another kid
banging on the guitar but an absolutely proficient and talented young
guitarist. Joining Tallan
on stage with the Blues Revue
Band
for his first song ‘Mustang Sally’ was vocalist
Deb Seitz
along with The Chicago Horns
kicking brass. The crowd rose to it’s feet to get a first hand look at
this diminutive, yet standing tall on his custom made stage riser, eight
year old Blues guitarist, as Tallan
proved he belonged on stage with all these veteran Blues performers.
Tallan
then ripped into ‘The Sky Is Crying’ as he dedicated this song to
Riverside Rob.
Following up with his own ‘T-Man Boogie’ and then rambling into ‘Red House’,
Tallan displayed more of
his guitar proficiency as he slung his guitar up over his head and played
behind his little head as the crowd stood in shocked admiration.
Closing out his segment, Tallan
blazed into ‘Sweet Home Chicago’ with
The Chicago Horns,
Deb Seitz,
guitarist Joe Jammer
and Harmonica Man Doug Lee
joining him and the Blues Revue Band
on stage as they performed a rousing rendition of the great American
classic. Tallan
was trading guitar licks with the world traveled
Jammer, the veteran Blues
Guitarists Johnny Cosgrove and Joey Drada
and followed Doug’s
Harmonica tones and notes as if he had been performing with these veteran
performers for years on end and left the crowd in shock and awe as he
finished his segment and made his way off of the stage. This was a truly
classic moment in Sopro Music history to be remembered for years to come.
Tallan will surely
be seen in the near future on, yet to come, Blues Revues as after this break
out performance he has already garnered his own south side crew of Blues
fans demanding a return engagement.
Then the big gun, world traveled guitarist
‘Guitarzilla’ Joe Jammer,
no stranger to performing after the proverbial ‘tough act to follow’, hit
the stage with reckless abandon as he took the show up another notch with
the great Jr. Wells song, ‘Today I Started Loving You Again’ with The
Chicago Horns kicking brass and with Deb Seitz on stage with
Jammer sharing the vocal
attack. Jammer then brought
Harmonica Man, Doug Lee, on stage as
they smoked the crowd with a blistering version of ‘Hoochie Coochie Man’.
As Jammer and
Lee traded licks with
devastating call and response solos, the crowd knew they were in for one
hell of a great night of traditional Chicago Blues music.
Jammer
then broke into Otis Rush’s ‘Ain’t Enough Coming In’ and then ended his
segment with the great Albert Collins’ ‘I Ain’t Drunk, I’m Just Drinking’
song with The Chicago Horns, again, continuing to kick brass. Chicago’s Leading Lady of
the Blues, the Soul Stirring, Deb Seitz
then took to the stage dressed to the nines. Wearing a silk, full length
cape and velvet dress reminiscent of Lena Horn in concert at Carnegie Hall.
Deb, as always,
lit up the room with her angelic voice and demanding on stage presence as
she started her show with her trademark classic ‘Blues Is My Business’ with
The
Chicago Horns kicking
brass along with her band mate guitarist Frank
Anastos. Deb
cut down deep like a razor blade of soul deep into the hearts of all in
attendance as she had the crowd, especially the women, laughing up their
sleeves with her jaunty version of ‘You Can Have My Husband’ and then
absolutely knocking them all for a Blues loop and showing her newly directed
Diva-power with her haunting and soul stirring rendition of ‘Summertime’
with Tony Ferraro’s
accompaniment solos on Tenor Saxophone to the delight of the crowd.
Deb finished her segment
with her own ‘Voodoo Woman’ as she proved again that she is surely the new
Soul Stirring, Chicago’s Leading Lady of the Blues.
Closing out the this great Blues Revue Concert Event, Chicago’s newest
Harmonica King, Doug Lee
took over the stage as he busted into his, self styled rendition, ‘Bring It
On Home’ as the, still standing room only, crowd knew the royalty of Chicago
Blues was taking them deep into the night.
Doug
then continued his flawless
show segment as if performing in a spatial and parallel music realm
reminiscent of the great Harmonica men of the past like the late greats,
Junior Wells, Slim Harpo and Jody Noa with ‘I Wonder Who’s Gonna Love You’,
‘I’m Ready’ and his own penned ’19 Year Old Young Woman Blues’. Closing his
set and bringing to a climatic ending of this landmark Sopro Silver
Anniversary Blues Revue show, Doug
sent the crowd home with a rousing
rendition of the great Blues classic ‘Help Me’ to the delight of the
audience. As the totally
entertained night club crowd of dedicated Blues fans filtered out of Tommy’s
Place into the full moon, clear and frosty crisp November evening, they all
knew that that had been part of one of the greatest Blues Revue concert
events that they would all remember as time goes by for years to come.
The club production
and security by Tommy and Cindy Petta and the Concert Production by Bud
Monaco and Red Rose was impeccable throughout this demanding three hour
concert event. The live sound engineering and lights by Tony Gioioso and
Tony G. Jr. flawlessly highlighted every dynamic vocal and music note
performed during the show. The show was also documented with a live
recording by Bob Teutsch of Sound & Entertainment Productions and
brilliantly photographed by Gala Prosapio of SoproFoto and August ‘Lordy’
Lord of The Chicago Blues Beat and videotaped in high definition by Randy
Redding of Fat Trax Films.
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Sopro Music’s 20th
Annual Easter Parade Blues Revue The Third Annual Jody Noa Memorial Show
Sopro
Music’s On Line Magazine Review by Bud Monaco / April 2007
Sopro Music’s 20th Annual Easter
Parade Blues Revue, the Third Annual Jody Noa Memorial Show
was once again another outstanding Blues Concert
event. The full house crowd at Tommy’s Place
Night Club in Blues Island was packed to the
rafters and with the full array of nationally renowned Blues Musicians
performing during the show, no Blues fan in the house left without the
finest of Chicago Blues Music profoundly ringing in their ears. Let’s get right to it:
Sopro Music’s Blues Revue Band
took to the
stage and started a Blues onslaught that continued for the next three
hours. With Emcee and Sopro Music Promoter Bud Monaco at the mic and
leading an All Star cast of Blues Musicians to the stage, he paid a
heart-warming tribute to the late, great Bluesman, Sopro Records Recording
Artist Jody Noa
with a reading of Jody’s world renowned lyrics from Jody’s hit single,
‘Funny Man’. With the kick off words
“This
show’s for you Jody, Rest In Peace Brother”,
the best rhythm section in Chicago Blues featuring
Drummer, Patrick ‘The Drum King’ Doody
and Bassist, John ‘EADG’ Falstrom
kicked the Sopro Blues Revue Band into high gear from the first drop of
Patrick’s
drumstick and the first thump of John’s
vintage Fender Precision Bass. Mainstay and Veteran Blues
Guitarists,
‘Hollywood’ Johnny Cosgrove
and ‘Blue Lighting’ Steve Ditzell
had their vintage amps blazing while Blues King
Keyboardist, John Paruolo and
Percussionist, ‘The Italian Hammer’ Tony ‘Cash’
Caccitolo hammered out their big Blues tones to
round out Sopro’s 20th Easter Parade Blues Revue Band to the
absolute delight of Tommy’s Place juke joint crowd. Hitting the stage in full stride with horns brass
blazing, Sopro Records Recording Artist’s,
The
Chicago Horns featuring
‘America’s Trombone King’ Bill McFarland, Chicago’s
‘Saxophone Sensation of the Nation’ Hank Ford, the ‘Midwest’s Trumpet Titan’
Kenny Anderson and
‘Chicago’s Favorite South Side Baritone Saxophone Son’
Tony Ferraro, lit up the crowd with their
eighteen minute rendition of the great Blues instrumental classic ‘Listen
Here’ bringing the crowd to it’s feet with resounding command.
The Chicago Horns
with the Blues Revue Band continued blasting away with their opening salvos
of Blues music just like the blazing, giant, sixteen inch guns firing off
the deck of the USS Missouri during Desert Storm. With
Bill McFarland taking the
lead vocal mic singing the Blues with his velvety smooth vocals and bringing
to light what will happen to any woman who treats her man wrong, with a
wonderful version of another Blues classic, ‘Next Time You See Me Things
Won’t Be The Same’. The Chicago Horns
continued their resounding command of the stage and the crowd as
Bill, Hank, Kenny and Tony
continued their segment with their prolific brass attack and Sopro’s 20th
Easter Parade Blues Revue was off to a flying start right out the starting
gate. Still continuing to celebrate his Re-discovery of
America, Chicago’s prodigal son, veteran, world traveled/world renowned
Guitarist and Vocalist,
Sopro Records Recording Artist, ‘Guitarzilla’
Joe Jammer bounded onto the stage with his big
Blues energy just flowing through his magic hands as
Jammer ripped through his
intro song ‘Today I Started Loving You Again’.
The Chicago Horns
continued to perform on stage with Jammer
during his first song and Vocalist Deb Seitz
added some jump blues back ground vocals to take this great classic to
another level. Jammer’s
performance was as delightfully entertaining and performed as the original
artist’s, the late great Junior Wells
would have performed it as he did a few years back during a Sopro Blues
Revue show during the early 90’s. As it was an honor to have
Junior on the show back
then, it was another honor once again to have the incomparable
Joe Jammer blasting out
the Blues in this new millennium of life.
Jammer
then broke into his new repertoire of Blues music with a fine rendition of
‘Further On Up The Road’. Jammer
then brought Harmonica Man Doug Lee
up on stage and Jammer
and Doug performed
their tribute to Jody Noa
with a mind shattering version of Junior Wells’
great classic ‘Hoochie Coochie Man’.
Doug’s
Harmonica tribute to Jody
was just a thing of beauty with Jammer
and the Blues Revue Band hammering out the song in
tandem with him as the crowd applauded their every note.
Jody was surely smiling
down on them and all of the audience which included Jody’s mother, daughter,
sisters and brother as well as his many friends from days gone by as these
great Blues performers paid homage to Chicago’s
Hidden Harmonica Treasure, Jody Noa. He will
never be forgotten and his Blues music legacy lives on.
Joe Jammer closed out his
segment of the show with a rousing version of Albert Collins’ famous drinkin’ anthem, ‘I
Ain’t Drunk, I’m Just Drinkin’ as the crowd heralded
Jammer’s closing segment
of the show. With a raucous flurry of excitement the fabulous
Brooze Brothers took to
the stage with Joliet Jake (Fred Bevier),
just out of prison and Elwood Blues (Lance
Haack), Harmonica in hand, leading the
onslaught, dressed to the nines in black suits, black ties, black fedora
hats and cheap black sunglasses as they tore into the crowd with their
opening number, being their ‘Peter Gunn’ theme. Visions of Belushi and
Akroyd tumbled across the Blues Club floor as Drummer Bill Archer and
Bassist Jimmy Kenny put
their big back beat rhythm section into action. With
The Chicago Horns,
Keyboardist John Paruolo,
Jody Noa’s protégé
young turk Guitarist Riverside Rob
and veteran Guitarist Steve Ditzell
joining into the fray with Larry The Cop
standing guard, Jake and Elwood
lit up the room and heated up the cool November night as they busted into
‘Soul Man’, ‘Gimme Some Lovin’, and their dedication to
Jody Noa performing
‘Messin’ With The Kid’ with Lambert Blues
whaling away on his Harmonica and nicely covering the back ground vocals as
the audience howled with delight. The fabulous
Brooze Brothers continued
their Blues entertainment magic with ‘Flip, Flop and Fly’, ‘Hey Bartender’
and finished their big show segment with the classic ‘Sweet Home Chicago’ as
they brought the crowd to its feet once again.
Jody Noa
had performed for years with the Brooze
Brothers Band all over the Mid-west and America
from coast to coast. This was a memorable performance by them to honor their
friendship and camaraderie they have, and had over the years for the late,
great, Jody Noa.
A wonderful addition to Sopro’s 20th Easter Parade Blues Revue
and the Third Jody Noa Memorial Show. It had been Star Time from the start of the show but
now it was Star Time to the max as Chicago’s
Leading Lady of the Blues, Deb Seitz, took
command of the stage like a flash of lighting out of the serene November
sky. Deb took
charge of the Blues Revue Band as she busted into her trademark song ‘Blues
Is My Business’ with The Chicago Horns
blasting away with their dynamic brass tones ripping right along with
Deb. Also joining
Deb on stage,
Guitarist Frank Anastos
fret work added to the big Blues sound accenting
Deb’s demanding vocal
attack. Deb
continued rocking the house with her jaunty version of ‘You Can Have My
Husband’ which she dedicated to ‘all the single women in the audience and to
those whose husband’s just don’t know it yet’ as her light hearted treatment
of married life had the crowd peeing in their pants with laughter.
Deb then turned to more
serious Blues business with her beautiful rendition of the classic ‘Hurt So
Bad’ but it was the following classic song ‘Summertime’ that mesmerized the
crowd and took her Blues talents to another level like thunderbolts of
Jupiter as she gave the crowd a profoundly vibrating experience.
Deb was savage, superb,
wild eyed and magnificent. There was something ominous and stately in her
deliberate vocal attack that stunned the crowd as she opened her passionate
soul with her angelic voice. Deb
had an eloquent look about her, well actually, she was vibrating with
eloquence and the stage lights cast her shadow eerily across the front of
the stage as she led the Blues Revue Band through all the dynamic and soul
stirring sections of this timeless song showing that she is of, a new age of
Diva Status, and not just another pretty faced Blues singer.
Saxophonist Tony Ferraro
then slid into a prolific Sax solo as Deb
handing off the lead to Tony
that further stunned the admiring crowd followed by
Keyboardist John Paruolo
as he hit those eighty eights with his magic keyboard hands and further lit
the crowd up with a golden solo that took the crowd to another place in
time. Stunned with the shock and awe of the culminating ending of
‘Summertime’ the adoring audience was then presented with
Deb’s closing original
number ‘Voodoo Woman’ as with amazed looks upon their faces
Deb closed out her
segment in a grand flourish to the delight of the standing room crowd and a
well deserved standing ovation. This was surely a magical moment in Sopro
Music’s Blues Revue history. In the finest tradition of Blues Harmonica, as has been
the staple of traditional Blues performances for twenty years during Sopro
Easter Parade Blues Revues, mirrored in the essence of
Jody Noa, Detroit native
and now Chicago’s favorite Harmonica man, the incomparable Blues
Harmonica frontman, Vocalist and Blues entertainer,
Doug Lee stepped
up to the front of the stage for a memorable segment honoring
Jody Noa.
Doug Lee, in no way, by
his own words, would ever try to replace Jody,
but his absolute, old time, original, and personal, Chicago south side bred
Blues style was monumental to the traditions of Chicago Blues Harmonica
performers both past, present, alive and as was those great performers who
have passed on. Doug Lee,
with the Blues Revue band in tow, romped into the classic ‘Rock Me’ and
segued into his own designed ‘Born Lover’ with his Harp wailing and his
traditional Blues Vocals bringing to light, the great traditional Blues
sounds of the past into the new millennium.
Doug Lee then brought the fine young
Blues Guitarist, Riverside Rob
up on stage to join him in a raucous version of ‘Mojo Workin’ and had the
kid playing his ass off as Rob
lit into his fret board with Pat Doody
and John Falstrom continuing the big back beat in the finest of style. Doug
then settled the band into another pace and took the crowd down south with
his original styled ‘Florida Blues’ as
Riverside Rob, Steve Ditzell and
John Paruolo traded off
hair raising solo’s with Doug
following with a tremendous Harp solo that was ringing in the rafters long
after the show ended. Doug Lee
then brought the show to a climactic ending with one of his trademark songs
‘Walking Blues’ as the crowd surely seemed to have tears in their eye as
Doug’s vocals and
his ending Harp solo, marked the end of another outstanding Sopro Music
Presentation culminating in another standing ovation.
‘The Sky Is Crying’. During the writing of this
review this shocking and tragic news had reached all of us and crushed our
souls. The young, outstanding Blues Guitarist
and Entertainer, Riverside Rob (Draganski) was
in a motorcycle accident in Twin Lakes, WI that claimed his life.
Rob, who was 22 years of
age, passed away on Friday morning, May 11, 2007 from injuries sustained in
this accident. Rob’s
family and all of us are all grieving this great loss of one of the
Mid-west’s and America’s finest young musicians.
Rob was a Blues protégé
of the late Jody Noa
and Jody had first
brought Rob to our
stage when Rob was
still in his teens seven years ago and during all of his performances with
Sopro’s Blues Revue Bands over these years,
Rob
never failed to light up a crowd with his prolific Guitar performances that
equaled any veteran Blues guitarists that we have known.
Rob will be dearly missed
but he will never be forgotten. RIP Brother
Rob. See you on the other side further on down the road.
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Sopro Music’s 24th Annual
Thanksgiving Chicago All Star Blues Revue 2006 Review by: Bud Monaco / November 2006
Another outstanding Sopro Music Presentation was once
again performed at Tommy’s Place Night Club on Saturday Night, November 25th,
2006 with the concert event production of Sopro Music’s 24th
Annual Thanksgiving Chicago All Star Blues Revue. This Blues Revue show
honored the great Chicago Saxophonist, Hank Ford, of the nationally
renowned, The Chicago Horns, celebrating Hank Ford’s 20th year
performing on Sopro’s Blues Revue shows. A great time was had by the full
house of Blues fans in attendance.
Guitarist, Hollywood Johnny Cosgrove once again
led the Blues Revue Band onto the stage with Blues Revue veterans Patrick
Doody kicking out the big back beat on Drums and John ‘EADG’ Falstrom
rounding out the best blues rhythm section in the nation on his thundering
Bass. Veteran Blues Guitarist Joey Drada and Percussionist Tony Caccitolo
rounded out the Blues Revue Band with a great introductory music
performance. Then it was star time as Sopro Records Recording
Artist’s, The Chicago Horns, took to the stage in a flourish of dynamic
Brass bellowing out over the crowd. Leading The Horns into the fray was The
Chicago Horns band leader Bill McFarland dialing up his Trombone to full
tilt boogie mode, Kenny Anderson belting out the brass rifts rattling the
rafters on his Trumpet and Tony Ferraro bringing a new brass element to the
sound with his addition of his big bottomed, Baritone Saxophone. Then, the
honoree of the evening, Hank Ford, hit the stage running with his Saxophone
blazing strong as The Chicago Horns and the Blues Revue band kicked out a
stirring rendition of the great classic ‘Listen Here’ as the crowd rose to
it’s feet and acknowledged Hank Ford, The Saxophone Sensation of the Nation,
for his 20th year celebration. The level of excellence was now
set for the evening as the show was off to a great, high energy down home
Chicago Blues start.
The first segment of the show
continued to roar as the Band and The Chicago Horns with Hank Ford on
Vocals, covered the late, great James Brown classic, ‘I Got You’. Following
up Bill McFarland took over on Vocals as they broke into the wonderful old
blues standard ‘Next Time You See Me’, as Bill claimed that he ‘would rather
drink muddy water and sleep in a hollow log’, rather than put up with a two
timing woman, to the delight of the audience. With a big jump in his long legged step and his world
famous guitar in full blues shred mode, Sopro Records Recording Artist,
Guitarzilla Joe Jammer catapulted onto to the stage and ignited the crowd
with his Blues onslaught. With The Chicago Horns kicking brass and Deb
Seitz belting out the back ground vocals on stage with Jammer, he kicked off
his segment as he slashed his way through Junior Wells’ famous classic,
‘Today I Started Loving You Again’. Continuing with his segment, Jammer
flawlessly performed for the first time, ‘Further On Up The Road’, and Otis
Rush’s ‘Ain’t Enough Coming In’. Jammer was then joined on stage by
Harmonica Man, Doug Lee to do a great tribute honoring Jody Noa as they
thundered through another great Junior Wells tune, ‘Hoochie Coochie Man’,
and Doug’s exquisite Harmonica performance rang out over the crowd and
Jammer’s slick guitar performance lit up the crowd again. Closing out his
segment, Jammer kicked the crowd into a Blues frenzy with the classic and
venerable hit song of Albert Collins, ‘I Ain’t Drunk, I’m Just Drinking’.
The show and the Blues Revue Band now in high gear and the high performance
operation continued on with the rest of the show.
Chicago’s newest Leading Lady of the Blues, the
Soul Stirring Deb Seitz, captured the audience as she belted out ‘Blues Is
My Business’ with The Chicago Horns again kicking out their big brass blues
sound in perfect concert with Deb and the Band. Guitarist Frank Anastos,
who performs with Deb, stepped up to the stage and showed the crowd why he
is the number one guitarist on Deb’s new CD release.
Deb Seitz then mesmerized and
captivated the crowd and then cut them down deep like a razor blade of soul
with her angelic voice as she took the band into her beautiful rendition of
‘Hurt So Bad’. Deb then kicked out her version of the jaunty and raucous
‘You Can Have My Husband’ to the delight of all the ‘single, or soon to be
single women or those women whose husband’s just don’t know it yet’.
Deb continued to heat up the cool November evening
crowd with the great standard ‘Summertime’ with her warm and evocative
vocals and her then with her own original ‘Voodoo Woman’ then breaking the
Blues bank with her new, original, CD titled song ‘Another Promise’. As Deb
finished with ‘Another Promise’ she gave the stage over to Patrick ‘The Drum
King’ Doody and Patrick raised the roof with a unbelievable thundering Drum
solo that was knocking brick and mortar loose on Tommy’s Night Club and
finished this show segment leaving the blues loving crowd in shock in awe to
say the least.
The stalwart Blues Revue Band continued to keep
the overall sound and the power of the Blues alive and absolutely dynamic
for the duration of what would be a three hour concert event as Guitarist
Johnny Cosgrove playing his vintage Gold Top Les Paul with it’s delectable
tones portrayed his unflagging Blues Guitar talents. Guitarist Joey Drada,
with his Blues stage muscle covering stage right, kept unleashing his
prolific and exacting Blues tones throughout the show. The precise and
dynamic rhythms of Patrick Doody hammering away with perfect meter on his
Yamaha Drum kit along with Bassist John Falstrom jacking out the EADG’s on
his vintage Fender Precision Bass and thundering along with Percussionist’s
Tony Caccitolo’s fulfilling Percussion sounds, resonated to Blues heaven,
song after song and performer after performer flawlessly all night long.
Chicago’s new Harmonica strong
man and Blues entertainer, Doug Lee, then hit the stage and quickly busted
into one of his trademark songs, ‘Help Me’, as he tore through the crowd
with his slashing Harmonica Virtuoso, hitting all the right highs and all
the bellowing lows with his magic Harmonica performance. Doug had the crowd
chuckling as he vocalized his Albert Collins like style rant about the
problems of married life. With his unique, see-saw, two-voiced, on stage
conversation he was having with his old lady along with the comical
conversation he was having with himself and the crowd, Doug was having a
great time with the beginning segment of his performance.
Doug Lee
then kicked the Blues Revue Band into another higher gear as he performed
his ‘Walkin’ Blues’ and then continued his segment as he segued into his own
designed ‘Florida Telephone Blues’ and had a long distance discussion and
performance as the crowd delightfully was taking it all in with great
amusement.
Finishing up his show
segment, Doug Lee brought Joe Jammer back up on stage with him to bust into
‘She’s Going Somewhere’ as Doug and Joe, in perfect tandem, ripped Tommy’s
juke joint apart and they both tore into solos, with Doug’s Harmonica
blazing and Jammer’s Guitar in full Blues shred mode as they brought the
crowd to it’s feet to bring the show to a dramatic and outstanding close.
The booze was flowing; the
smoke was billowing and the rising din of the Blues music and the full house
audience’s cheers, carried on down Western Ave. into the November night as
the show came to its final and fulfilling dramatic ending. With a great
concert production crew featuring Sopro Music Promoters and Stage Operation
Specialist’s, Bud Monaco and Red Rose, along with the outstanding Staging,
PA Sound and Lighting crew operations flawlessly run by front of house and
monitor soundmen Jimmy Wiersma, Tony Gioiosa and Tony Gioiosa Jr. along with
Sopro Records recording engineer Bob Teutsch recording and documenting this
wonderful Blues Concert Event and SoproFoto photographer Gala LaPorte
documenting the event on film as well as the smooth club operations put
together by night club owners Tommy and Cindy Petta, a great time was had by
all and Blues fans of Chicago now look forward to the next Sopro Blues Revue
Show with great anticipation.
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SOPRO'S ON-LINE MAGAZINE BY: BUD MONACO
DEB SEITZ / 'SOUL STIRRING' CD REVIEW

************************
Hey Hey Blues Fans. One
of the Chicagos and the Mid-wests Leading Ladies of the Blues,
Deb Seitz, has released her new, solo,
CD album Soul Stirring and as Blues Is Her Business and Her Business Is Good, this
lil Lady really nailed it all on this, her first solo release on her own independent
label. Recorded, produced and mastered at
Drumhead Studios by the highly proficient producer and engineer, Pat Doody.
Pats recording has captured Debs sound and style to the max giving it a strong
Blues sound that is musically fulfilling for Blues affecianados. Debs CD
Soul Stirring stands up to
any present or past Blues Music, Blues Vocalists; Female or Male, in the Blues Nation.
After seeing Deb Seitz
perform live during her night club shows and on Sopros All Star Blues Revue Shows
during the past few years, her vocals and her style are unique to her and it is all
perfectly captured on this new release of Deb Seitzs, Soul Stirring. And Soul Stirring it surely is, no doubt. Deb never has to force her voice to do something
that isnt natural to her vocal style and anyone who hears this CD or hears Deb sing
live will surely attest to this as her angelic voice mesmerizes all who hear her sing. As for the individual songs on the
CD: The out-of-the-gate, kick-off song Blues Is My Business is a great first
song choice for the album. It jumps right out at you and the band shows it complete
professional talents right from the start. Showcasing Debs vocals, this great
song will start you on a wonderful Blues Journey throughout Debs
Soul Stirring CD. The
second song, Goin Somewhere is absolutely Deb and seeing
that this is her own original song makes it that much better. The only limit about
Goin Somewhere is that it is Debs only original song on the CD. It
would have been nice to hear more of Debs own original songs, maybe at least one or
two more of her own. The third song Voodoo Woman by the great Blues Vocalist,
Koko Taylor, is for sure a real crowd pleaser and will surely be a fan favorite during her
live performances. The fourth song, Hurt So Bad, really kicks out Debs
vocal prowess and highlights the band with their outstanding performance on this track. I
recently heard Deb perform Hurt So Bad at Sopros recent Easter Parade
Blues Revue Show and Deb had the attending crowd mesmerized and held them all in
shock and awe during her performance of this song. Sugar Coated
Love is very well presented and Debs rendition of Janis Joplins
Turtle Blues is right on the money as well as Debs version of
Joplins Bobby McGee. Deb really nailed these two tracks beautifully in
her own style of vocal attack. Hound Dog and Rock Me Right are two
classic songs that Deb nailed the same way and will surely be big hits for Blues fans
across the Nation when she performs these songs live on stage. As for
Deb
Seitzs band. Deb could not have chosen better with
her choice of musicians for this wonderful Blues Journey of hers. Featuring some of the
top dog Blues Performers in Chicago and the Mid-west, these musicians have
taken Debs music to a whole nother level of perfection and Down Home
Chicago Style Blues precision. The outstanding band director,
producer and drummer Pat Doody leads Debs band through this musical Blues Journey
with exacting precision both as a performer and producer. Heading up the band is one of
the most outstanding rhythm sections in the world of Blues Music. Featuring one of
Chicagos and Americas finest Blues Drummers Pat Doody behind the Drum Kit and
the dynamic Bassist John Falstrom whose taut Bass lines are always extremely articulate
and extremely precise. These two performers lay down the rock solid foundation that sets
the tone for Debs music and magical voice on her
Soul
Stirring CD. Add to this great Blues back beat
rhythm section, the Leslie driven Keyboard sounds of the well traveled and
nationally known Brother John Katke on the Hammond B-3 along with the lovely and talented
Lisa Wellis soulful Keyboard performance and Debs rhythm section is second to
none.
Although the heart and soul of the CD is
Deb Seitzs angelic,
although sometimes, downright Blues Nasty vocals, and of course that is
beautiful Blues Nasty vocals, the trio of outstanding Guitarists that Deb has
platooned into her band is downright devistating to say the least. Heading up this trio of
unique and dedicated young blues guitarists is Motor City Josh Ford whose slash and
full-shred, yet harmoniously textured guitar technique absolutely sets up the real deal
blues sound that is totally prevalent throughout Debs
Soul Stirring CD.
Triangulating this outstanding trio of Blues Guitarists performing on Debs
Soul Stirring
CD are Frank Anastos whose unparalleled guitar sounds along with Guitarist Joey
Drada performing with his perfectly precise blues guitar technique takes Debs music
to an overall majestic blues sound that is beautiful for all music lovers to hear and
enjoy. Deb Seitz, her band and producer have made a flawless and great piece of American Blues
Music with her Soul Stirring CD that will surely survive the passing of time for years to
come. Visit Deb Seitz at her website,
DebSeitz.com and learn more about her and her music.
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JODY NOA BENEFIT CONCERT REVIEW /
2/27/05 SOPROS ON LINE MAGAZINE: BY BUD MONACO
The Jody Noa Benefit Concert Event on Sunday,
February 27, 2005 at Bourbon Street Entertainment Complex, surpassed any projections that
may have been previously made. The absolute mind boggling sell out crowd of over 3,000
family, friends, musicians and associates of Chicagos
Hidden Harmonica Treasure Jody Noa, proved that Jody
was surely one of the most loved and honored musicians of Chicago and America. Fans from
all over the country came out to show their support for our beloved brother Jody Noa and
with graciousness and love, the Noa Family and production staff thanks them all for their
contributions. Over 70 musicians and over 100 individual
performances paraded across the stage during this elaborate event that just absolutely ripped that joint and brought the house down
throughout the day and night. For over six hours, the royalty
of Chicago and American Blues Musicians showed why Chicago is
the world capitol of the Blues. A flawless and extreme stage presentation and stage
management kept the continuing line up of Blues Musicians parading on and off the stage
from start to finish. And if I may say so, it was not an easy accomplishment and without
the professionalism and dignity of all the musicians involved this feat could have never
been accomplished. It was a great honor to be an integral part of this world class show
that will surely go down in Chicago Blues History.
The show kicked
off like the start of a Super Bowl of Blues Musicians with a compilation of Jody
Noas "Sho Nuff Blues Band" performers of the past featuring
Guitarists Johnny Cosgrove and Steve Ditzell with Jimmy Kenny on
Bass and Marty Binder on Drums along with Tony Ferraro on Saxophone, Top Hat Robinson
doing vocals, John Paroulo on Keyboards, Tony Caccitolo on Percussion and Whalin Ray
Cumpian on Harmonica. These cats ripped through the first set
with reckless abandon and got the capacity crowd off their seats and on their feets right
from the get go.
The second set
included more former "Sho Nuff Blues Band" performers that featured the
world-renowned and legendary Guitarist John Primer along with
one of Jodys Blues proteges, Riverside Rob. With the old guard Primer and the Young
Turk Rob, these two guitarists lit up the crowd along with Jimmy Kenny on Bass, Top Hat
Robinson on Drums, John Paroulo on Keyboards, Tony Ferraro on Saxophone, Springer on
Harmonica, Tony Caccitolo on Percussion and Tom Holland on Guitar.
The third set
brought to the stage, one of Chicagos Leading Ladies of
the Blues, the legendary and exquisite vocalist, Big Time Sarah.
Big Time Sarah was just dynamic as she cruised through her set amazing the
crowd with her magic voice. Sarah was accompanied on stage by
Guitarists John Primer, Riverside Rob and Paul Petritus along with Bassist Mike
Boyle and Gerrardo Guzman on Drums, Tony Caccitolo on Percussion, Earth Man and Springer
Man on Harmonica and Tony Ferraro and Top Hat Robinson on Saxophones.
If the show
wasnt already in high gear, the fourth set shifted the show into overdrive. The
legendary Guitarist Killer Ray Allison along with Guitarist
Johnny Cosgrove led this set into Blues Heaven along with John Falstrom on Bass, Pat Doody
on Drums, Rich Mahoney on Keyboards, Tony Caccitolo on Percussion and Tony Ferraro and Top
Hat Robinson on Saxophones along with The Chicago Horns leader Bill McFarland on Trombone. With the arrival on stage of the Crowd Pleaser himself,
The Chi-Town Boogie Man, Vocalist Casey Jones took over and whipped the sell out crowd into a Blues frenzy as Casey
entertained and performed his magic on stage.
The fifth set
continued the show with Pat Doody on Drums, Tony Rufo on
Guitar, Bruce Felgen on Bass, Rich Mahoney on Keyboards and Ken Cummings and Bob Stackler
on Harmonicas. Ken and Bob paid tribute to Jody with
their outstanding Harmonica duo that thrilled the crowd.
The sixth set
kept the Blues vibe alive as Guitarist Ray Sucash led his Bad
Idea Rhythm and Blues Revue onto the stage along with his band mates C.C. on Bass, Pat
Doody on Drums, Wolfman on Keyboards and Doc Haney on Saxophone to the continued delight of the audience.
The seventh set
had Bassist and band leader R.P. Ron Michaels leading his
well known Blue Plate Special Band into a rousing set featuring his band mates Harry
Binford on Guitar, Kevin Johnson on Drums and Mark Zelepugas on Harmonica. Mark had been a protégé of Jodys for many years and he performed
admirably knowing that Jody was watching from another place.
The eighth set
brought the Sopro Music Rock Brigade to the stage. With a rock n roll change of
pace, the renowned Chicago veteran Guitarist and Vocalist
Bobby Dunne led a rockus and mind bending set of rock n roll that featured the South
Sides favorite Bass man Tommy Biondo on Bass, veteran rocker John Horvath on Drums, with
Guitarists Steve Staszak, Tony Wilson and Marcus Soljasic and Bob Stackler on Harp. With Bobby Dunnes eclectic vocals and guitar performance the Rock
Brigade had the crowd dancing in their chairs and dancing in the jammed packed isles.
The ninth set
brought a great compilation of Chicago Blues Performers to the stage. This set included
Guitarists Johnny Cosgrove, Adam St. James and Steve Ditzell with
the veteran Blues Drummer Jerry Porter and C.C. on Bass along with Tony Ferraro and Top
Hat Robinson on Saxophones, Reed Reiley on Keyboards and Tony Caccitolo on Percussion.
Added to this set, Harmonica Players Doug Lee, Dennis McMasters and Bob Stackler paid another Harmonica tribute to Jody Noa that held the crowds attention
until the on stage arrival of two of Chicagos Leading Ladies of the Blues. Blues Vocalist Deb Seitz led the vocal
attack with her soul stirring voice and lit up the room with her song Blues Is My
Business. Following Deb to the front stage microphone was the dynamic
Blues Vocalist Peaches Staten. Peaches
continued to enlighten the crowd with her magic voice and charismatic stage presence to
the delight of the audience. Arlene Mora and JaniceShaw brought more heart felt soul to
the stage with their outstanding back ground vocals as they sang along with Deb and
Peaches during the set.
The tenth set
took this show to still another level. The nationally renowned
Brooze Brothers Band, which Jody Noa had been
performing with over the past years, featuring Jake and
Elwood also known as Fred Bevier and Lance Haack, led their
full Blues Revue show onto the stage featuring Guitarist
Steve Ditzell, Jimmy Kenny on Bass, Bill Archer on Drums, John Paroulo on Keyboards along
with Jim Massoth on Saxophone and Bonny Brown on Trumpet with three back ground vocalists that just absolutely brought the, still full house, crowd to their knees.
The eleventh
set continued into the night to the delight of the crowd as
Guitarists
Gene Kilty, Elmo and John Primer along with Bell Bottom on Bass, Top Hat Robinson on
Drums, Tony Caccitolo and Perry Jordan on percussion, Patrick Regan on Keyboards with
Earth Man and Greg Sabin on Harmonicas kept
everyones attention leading to the last set of the event.
The last set,
making it an even dozen brought Guitarists Ray Sucash,
Danny Mack and Riverside Rob to the stage with Bell Bottom on Bass, Pat Doody on Drums,
Tony Caccitolo and Perry Jordan on Percussion, John Paroulo on Keyboards, Tony Ferraro and
Top Hat Robinson on Saxophones with Joe Brown on Harmonica and Bobby Baker on Flute. With this grand finale, the attending, and still capacity crowd, was left
in shock and awe, as they had witnessed one of the most magical and all Blues consuming
day and night of Chicago and Americas Blues Music by the Royalty of Chicago Blues.
As all in
attendance, audience, family and musicians paid their tribute to Jody Noa, we all knew
that Jody was smiling down on all of us. This was a memorable and historic event that will
be remembered by all that witnessed and performed on this great event that paid tribute
with honor and dignity to one of Chicagos and
Americas finest Blues Musicians, Chicagos Hidden Harmonica Treasure, Jody Noa.
He will be forever remembered in our hearts and minds. RIP Brother Jody.
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SOPROS ON LINE MAGAZINE
Off Broadway / Enuff Z Nuff / Wrong Boys
Concert Review by Bud Monaco. 11/13/04

The
Sopro Presentation Concert on Saturday night,
November 13, 2004 at Tommys Place Night Club in Blues Island, IL was just outstanding. One of the best
Sopro Presentations in Sopro history. Just like old times. Just like theyve never
been gone. Seeing these three great bands kick out the jams with the music that I cut my
teeth on as a promoter during the 70s and 80s was just a beautiful thing.
Old time Chicago-style rock n roll.
Tommy Biondo and the Wrong
Boys kicked off the show with their signature tune The
Wrong Boys. They then added 10 classic rock covers to finish their set with a flurry
of guitar riffs from Steve Goose Staszak and Rob
Martin kicking out the drum back beat with
Tommys thundering Bass lighting up the
crowd. King Bassist and vocalist,
Chip
Z Nuff with
Johnny
Monacos searing and scorching guitar work lit the house
on fire as they took to the stage and Eric Z
Nuffs totally consuming drum lines had the crowd
in a frenzy for Enuff Z Nuffs kick ass set. Chip was in rare form dressed to the 9s with some of his trademark
clothes. They were all dressed to kill like rock n rollers used to dress
like with beautiful leather and silk cloths and snake skinned boots and shoes. They were
awesome to say the least. Performing all their great songs from their past nine albums
these boys are still on track being called one of Chicagos and the Nations
greatest original music bands. Then
Off Broadway took to the stage and staggered the full house with a blazing set of
material from their two albums ON and
Automatic along with a cover medley of Ronnie
Spectors Be My Baby that absolutely was a magic moment in Chicago music
history. Cliff Johnson cajoled
the crowd and entertained the rock club floor numerous times as he left the stage to
personally sing to people sitting on the side tables and the women standing on the dance
floor. And his voice is a great as it was 20 years ago, hands down!
Guitarist Rob Harding kicked off the set
playing his Red 6-12 Gibson ESG 1275 Double Neck Guitar (Jimmy Page style) and absolutely
showed his virtuosity as the great legendary guitarist that he is.
Rob continued to sling a wide array of
different guitars from his vintage arsenal of guitars that were handled exquisitely by his
crewmate during the show. Newcomer and outstanding master guitarist
Mike Redmond was an absolute dynamo and
unbelievable articulate entertainer. Mike added a whole new dimension to the
Off
Broadway band with his perpetual stage presence and antics.
He continually commuted back and forth from his side of the stage to Robs,
continually encouraging the others to keep up the intensity, which was done with relish by
the other band members. Bassist Mike Gorman and Drummer Ken
Harck were flawless in their thundering rhythm section back
beat that was devastating and just wonderful to see and hear. What a great time everyone
had and all in attendance are looking forward to seeing this line-up perform again soon
further on down the road. Old time rock n roll still lives on in Chicago.
Hail to the Chiefs and Kings of Chicago Rock.
They will never be forgotten and they will all continue on into the new
millennium as they
have for the past twenty-five years.
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SOPRO'S ON LINE MAGAZINE REVIEW: by: BUD MONACO SOPRO'S 22ND ANNUAL THANKSGIVING CHICAGO ALL STAR BLUES REVUE 11/27/04
Saturday night at
Sopro's 22nd Annual T-Day Blues Revue at Tommy's
Place Night Club in Blues Island, IL,
Guitarist Motor City Josh Ford performed with the
Sopro Blues Revue Band for the first time on a Sopro Stage from start to finish and electrified
the full house of blues lovers. Josh was outstanding and we here at Sopro are looking
forward to his next performance on a Sopro stage. The show kicked off at 10:30pm sharp,
with Josh and Guitarist Johnny Cosgrove along with
Bass King John Falstrom, Percussionist Tony Caccitolo and Drummer Pat
Doody rounding out the rhythm section.
The Chicago Horns then took to the stage in their patented, dynamic fashion as
Trombonist Bill McFarland, Saxophonist Hank Ford,
Trumpeter Kenny Anderson and Saxophonist Tony Ferraro made a further statement of music that once again enhanced their 'Top
Dogs' of Chicago and the Nation's Elite Horns Status. The World Traveled
Guitarist Joe Jammer, just in from Montreal for the show, then took to the stage with
his knock down, kick ass Blues set. Jammer's rendition of Hoochie Coochie Man, dedicated
to our Blues Brother, Chicago's Hidden Harmonica Treasure,
Jody Noa, who
was noticeably missing due to his illness, brought tears to the eyes of many of Jody's
avid fan base and family that were in attendance. Then the crowd was lit up like a flaming
bonfire with the on stage arrival of
Deb
Seitz as she flawlessly performed
material from her debut CD release album 'Soul Stirring'. With Deb's performance of 'Blues
Is My Business', 'Goin' Somewhere', 'Voodoo Woman' and 'Hurt So Bad' from her debut CD,
Deb had 'cut to the Blues Loving Bones' of the capacity crowd who were richly enchanted
with her performance. Next up, Chicago's Leading Lady of the Blues,
Peaches Staten, held the full house crowd in 'shock and awe' as she thundered through
her set with her beautiful stage presence and entertaining magic. Peaches was later joined
on stage by the great Chicago Vocalist
Shay
Jones along with vocalist
Arlene Mora and with newcomer vocalist
Janet Shaw and these
ladies showed the crowd what they can do with a four piece vocal section with the greatest
Blues Band in the country kickin' out the jams behind them. Then Guitarist
Motor City Josh Ford and his full complement band, featuring
Guitarist Caleb Ford, Bassist Chris Douglas and
Drummer Pat Doody, stunned the crowd
with their machine gun blues performance that absolutely brought down the house with a
guitar showdown between Josh and Caleb to finish the show at 2:00am, 'Three and a Half
Hours' after the first note was played. Sopro was proud to present once again another
Concert Event and not just another night club date and made it Another Memorable Sopro
Presentation. This show was billed as a 'Tribute Show' Honoring
'The Blues Drum King' Patrick Doody as Sopro and Patrick celebrated Twenty Years of making music
together. Those of you who were in attendance; We at Sopro Music and all the Sopro Family
of Blues Musicians thank you for you continued support of all the great Chicago Blues
Musicians and Entertainers who performed on the show and during this wonderful, continuing
Sopro Blues Revue Presentation. Those of you who missed this great show, tough luck. Maybe
we'll see you at the next Blues Revue.
ANOTHER SOPRO PRESENTATION......................
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Concert Review from Cosmik Debris Magazine
by: y
Eric Steiner
Sopro's 18th Annual Easter Parade Blues
Revue Venue: Tommy's Place; Blues Island, IL Date: March 26, 2005
For the past 18 years, Bud
Monaco and Red Rose, the twin engines behind Sopro Music/Sopro Records, have
showcased local under-the-radar blues talent every Easter Weekend.
This year was my first Easter Parade Blues Revue, and I encourage blues fans
to discover this treasure trove of Chicago and Chicago South Side blues
talent that's ready for the big leagues. Sopro Music/Sopro Records
bookends its blues year with its annual Thanksgiving Blues Revue, and over
the years, Monaco and Rose have recruited some of the region's finest blues
talent. Tonight was no exception, except that the evening marked the
first Blues Revue dedicated to Jody Noa's memory. Jody, "Chicago
Hidden Harmonica Treasure," passed away in late 2004, and his family was
there in full force. Tommy's Place, a 300-seat
club on Chicago's far South Side, is home to a diverse mix of live music,
ranging from metal to hip hop, rap to jazz, and rock to get-down gut-bucket
blues. March 26th was a special night for all of the Midwest as I
watched the Fighting Illini clinch their Elite Eight berth at the sound of
the buzzer at Tommy's Place with legions of Illini (and Blues) fans.
After the Illini sank the game-winning basket in overtime, the Sopro crew
worked like a well-oiled machine to make sure the transitions between each
of the guest artists in the three-hour plus show went smoothly. Bud
Monaco has probably been doing this for longer than a quarter century, and
this experience is a big factor in the evening's smooth transition
from one performer to another, as he's quietly but effectively assertive
when he needs to be. The Easter Parade Blues Revue more than honored
Jody Noa's memory, and it was a memorable night for fans of traditional
blues with a decidedly Chicago flavor. Highlights for me
included the night's Blues Revue Band that consisted of Hollywood Johnny
Cosgrove and Ray Sucash on guitars, John Falstrom and Patrick 'Drum King'
Doody on bass and drums, John Paroulo on keyboards, and Tony Caccitolo on
Percussion. When The Chicago Horns took the stage, their tight sound
showed why they were voted by regional publication Midwest BEAT as the top
horn act for 2004 in the magazine's annual readers poll. Bill
McFarland was on trombone, Hank Ford and Tony Ferraro played sax, and Kenny
Anderson played trumpet, as they added to the night's blues magic. Guest artists included
Casey Jones, a soulful high-energy singer unmatched by the likes of James
Brown. He's earned his nickname as the 'Chi-town Boogie Man Crowd
Pleaser' with a lifetime of work on stages around the country and all over
the world. Top Hat Robinson's vocals are as soulful as his sax, and
when he sat in with The Chicago Horns the room turned electric. I'd
loved to have seen the renowned singer Peaches Staten on her home turf, but,
unfortunately, illness sidelined one of the true 'Leading Ladies of Chicago
Blues' at home for the evening. With all of the technology at Sopro's
fingertips, we should have wired her house for sound, just in case she was
ready to join other Leading Ladies of Chicago Blues that night. Fans
of blues from a woman's point of view were not disappointed, as Deb
Seitz, Arlene Mora and Marilynn Claire offered powerful renditions of work
originally performed by the likes of Aretha Franklin and Koko Taylor. The evening's closing
performance was Motor City Josh Ford, a Detroit born and bred powerhouse
who's invested in his first tour bus, which he picked up just days before
the Blues Revue. After the gig, bandmates Chris Douglas on bass,
Damien Ford on drums, and Caleb Ford on guitar packed their gear up and
headed for the highway, and they're working steadily across the United
States in blues clubs and blues festivals until December of 2005. I've penciled in Sopro's
Thanksgiving and Easter Blues Revues as 'must do blues events' on my blues
calendar, and if business or pleasure brings you to the Midwest during these
holidays, it should be on yours, too. I'll be the first to admit I'm
no Annie Liebowitz or Richard Avedon, but I've put together a photo gallery
of some of the high points of tonight's set. For additional
information:
www.sopromusic.com
Jody Noa; Motor City Josh Ford; Deb Seitz; John Falstrom; Pat Doody and
The Chicago Horns. For more information on a constellation of
musicians working hard to keep the blues alive in the greater Chicago area,
check these and other Sopro Music/Sopro Records artists out.
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Sopro Music’s 19th Annual Easter Parade Blues
Revue
Sopro's On Line Magazine Review by: Bud Monaco / May, 2006
Sopro Music’s 19th
Annual Easter Parade Blues Revue at Tommy’s Place Night Club on Saturday
Night, April 15, 2005 in Blues Island, IL was another great Sopro Music
Presentation.
Sopro Blues Revue Band Director, Guitarist Hollywood Johnny Cosgrove led the
Blues Revue Band onto the stage with the rollicking four-four blues classic,
‘Buck Dance Blues’ with the returning, veteran rhythm section featuring
Drummer Pat Doody, Bassist John Falstrom and Percussionist Tony Caccitolo
setting up the big Blues Revue Band back beat. With veteran blues guitarist
Joey Drada rounding out the Blues Revue Band, they were joined on stage with
the nationally renowned and dynamic horn section of Sopro Recording
Artist’s, The Chicago Horns, featuring Bill McFarland on Trombone, Hank Ford
on Saxophone, Kenny Anderson on Trumpet and Tony Ferraro on Saxophone.
As they ripped through ‘Buck Dance Blues’, The Chicago Horns band director
and arranger Bill McFarland segued the band into the great blues classic
‘Next Time You See Me’ with his silky smooth blues vocal talents taking
center stage to the delight of the full and packed house at Tommy’s Place
setting the tone and the energy for the rest of the 19th Annual
Easter Parade Blues Revue Show.
Sopro Recording Artist, Chicago’s returning prodigal son, Guitarzilla Joe
Jammer then took to the stage in full Jammer-esque regalia, accompanied by
The Chicago Horns and Chicago’s Soul Stirrin’ newest Leading Lady of the
Blues, Deb Seitz, doing background vocals as Joe Jammer tore into Junior
Wells’ classic blues hit ‘Today I Started Loving You Again’. Jammer took
control of the stage and the crowd like a WW II Zeppelin Commander in combat
with his prolific guitar work, hammering out blues licks on his vintage,
blond Telecaster. He continued his Blues onslaught with Otis Rush’s ‘Ain’t
Enough Coming In’ and Willy Dixon’s ‘Hoochie Coochie Man’ which he dedicated
to Jody Noa. Jammer finished off his set with Albert Collins’ hit song ‘ I
Ain’t Drunk, I’m Just Drinkin’ to drive the crowd into a musical bliss of
dammed near Blues delirium.
As Sopro Music Promoter and Emcee Bud Monaco had stated in his staple Cab
Calloway style introductions at the start of the show, the show was honoring
the memory of the late, great blues harmonica man, Sopro Recording Artist,
Chicago’s Hidden Harmonica Treasure, Jody Noa.
And then the crowd was on it’s feet as Jody’s all original Sho ‘Nuff Blues
Band took to the stage and did not disappoint the crowd as they brilliantly
performed ‘Snatch It Back’, ‘Theresa’s Lament’, ‘Help Me’, ‘MF Blues’, ‘Let
Me Love You’, ‘Early In The Morning’ and ‘Messin’ With The Kid’ which were
all staple songs of Jody Noa and The Sho ‘Nuff Blues Band over the years.
The original Sho ‘Nuff Blues Band performers were Guitarist Johnny Cosgrove,
Bassist Jimmy Kenny, Guitarist Steve Ditzel, Drummer Marty Binder and
Saxophonist Tony Ferraro along with Harmonica player Greg Springer joining
the band on stage during ‘Help Me’ and through the end of this great set.
The Sho ‘Nuff Blues Band’s music presentation in honor of Jody was surely a
memorable performance that was thoroughly enjoyed by all in attendance.
Enduring the proverbial ‘hard act to follow’ situation, unfazed, Chicago’s
Soul Stirrin’ newest Leading Lady of the Blues, Deb Seitz, took command of
the stage with her natural star power and commanding stage presence and
kicked off her set with the crowd rousing hit, Etta James’ version of ‘Blues
Is My Business’ as The Chicago Horns added their dynamic brass sounds to her
prolific and angelic vocal attack to the delight of her adoring fans.
As Deb Seitz ripped through ‘Business’ she cut down deep like a razor blade
of blues, cutting to the bone and into the hearts and souls of the crowd who
were in shock and awe as Deb lit them up from the stage. Captivating and
demanding their attention, Deb caroused through songs from her new solo
album ‘Soul Stirrin’ as she belted out ‘Every Bit Of Your Love’, enchanted
them with the soul shearing ‘It Hurt So Bad’, grabbed the attention of all
the women in the house with ‘Voodoo Woman’ and totally knocked them all back
a step as she melted their blues souls with her heart wrenching version of
‘Fever’. Finishing up her set with the crowd standing in their seats, Deb
Seitz continued with a beautiful version of Aretha’s ‘Chain Of Fools’ to the
absolute delight of all in the house. A new crossroads of Blues perfection
was agreed on by all with a standing ovation for Deb Seitz as she brought
The Chicago Horns, Joe Jammer, Steve Ditzel, Greg Springer, Jimmy Kenny and
Marty Binder back to the stage for a grand finale of the 19th
Easter Parade Blues Revue show for a rousing rendition of ‘Sweet Home
Chicago’ with all 15 Blues Revue performers taking part and driving the
crowd into an absolute blues frenzy to conclude the show.
A great time was had by all, performers and Blues fans alike. We are all
looking forward to the next Sopro Music Blues Revue with great anticipation
once again.
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